The Dark Side of Rome: Curse Tablets and Ancient Magic
Tonight's Episode
In ancient Rome, revenge wasn’t always taken in court—it was written into metal and buried for the gods to handle. Known as Roman Curse Tablets, these eerie artifacts have been discovered across the Roman Empire, revealing a hidden world of ancient magic, desperation, and everyday conflict. From stolen items in the bathhouses of Aquae Sulis to obsessive love spells and competition curses, Romans inscribed names onto lead tablets and called on underworld deities to punish their enemies. These weren’t rare rituals—they were a common part of life across the empire. In this episode of The Strange History Podcast, we explore the history, geography, and cultural beliefs behind Roman curse tablets, how they were used, who wrote them, and why they were buried in graves, wells, and sacred sites. Were these curses believed to work? And what do they reveal about fear, justice, and power in the ancient world? If you’re fascinated by ancient Rome, dark history, archaeology, and strange human behavior, this episode uncovers one of the most unsettling practices of the ancient world.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-strange-history-podcast--5773362/support.
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Speaker 1: Dear listener, Imagine you're living in ancient Rome. You've just
Speaker 1: had your sandals stolen at the bathhouse, your neighbor is
Speaker 1: loudly existing again, and your romantic situation has taken a
Speaker 1: turn so tragic it deserves its own Greek play. What
Speaker 1: do you do? Do you confront them, move on, journal
Speaker 1: your feelings. No, you write a curse, not metaphorically, not
Speaker 1: I hope they step on a lego. I mean you
Speaker 1: physically inscribe their name onto a thin sheet of lead,
Speaker 1: call upon the gods of the underworld, and ask very
Speaker 1: specifically for their lives to unravel in deeply inconvenient ways.
Speaker 1: Welcome to the strange, petty, and surprisingly organized world of
Speaker 1: Roman cursed tablets. Now, before you picture a bunch of
Speaker 1: toga wearing sorcerers dramatically waving their arms around, let's ground this.
Speaker 1: In reality. These tablets, known as defixiones, have been found
Speaker 1: all across the Roman world world, from Italy to North
Speaker 1: Africa to Britain, and not in rare isolated cases. We're
Speaker 1: talking thousands of them. This wasn't fringe behavior, this was
Speaker 1: disturbingly normal. Most of these tablets were made from lead,
Speaker 1: cheap durable and interestingly associated with the underworld. In Roman belief,
Speaker 1: the person writing the curse would scratch text into the metal,
Speaker 1: often in Latin or Greek, sometimes with symbols or drawings,
Speaker 1: and then do something very important. They would hide it
Speaker 1: in graves, wells, temples, bathhouses, places believed to be close
Speaker 1: to spirits or deities who could carry out the request.
Speaker 1: Because this wasn't just venting, this was outsourcing revenge. Now
Speaker 1: let's talk about the people behind these curses, because this
Speaker 1: is where things get fascinating. These weren't always powerful elites.
Speaker 1: In fact, many seemed to come from everyday people, workers, merchants, gamblers, lovers,
Speaker 1: people who didn't have access to legal or social power.
Speaker 1: If someone wronged you and you couldn't take them to court,
Speaker 1: couldn't challenge them publicly, you could appeal to something else entirely.
Speaker 1: You could go supernatural. One of the most famous collections
Speaker 1: of these tablets was discovered in the Roman baths of
Speaker 1: Aquasulis modern day Bath, England. And let me tell you,
Speaker 1: the Romans there were not playing around. These weren't vague curses.
Speaker 1: These were incredibly specific, borderline passive, aggressive complaints directed at
Speaker 1: whoever stole their belongings while they were trying to enjoy
Speaker 1: a relaxing soak. One tablet reads something along the lines
Speaker 1: of to the Goddess Sulus Minerva, I give the thief
Speaker 1: who has stolen my cloak, whether man or woman, slave
Speaker 1: or free, may they not sleep, eat, or have children
Speaker 1: until it is returned, which is a very intense response
Speaker 1: to losing a towel. But it tells us something important.
Speaker 1: These people genuinely believed this would work. They weren't joking,
Speaker 1: they weren't being theatrical. They were engaging in what they
Speaker 1: saw as a legitimate form of justice, and justice in
Speaker 1: ancient Rome wasn't always fair or accessible now. Geographically, the
Speaker 1: Roman Empire was massive, stretching from Britain to the Middle East,
Speaker 1: North Africa, to parts of Europe, and everywhere Rome went,
Speaker 1: these practices followed. That's part of what makes cursed tablets
Speaker 1: so interesting. They're not tied to one specific culture. They
Speaker 1: appear across regions, languages, and social classes, adapting slightly depending
Speaker 1: on local beliefs, but maintaining the same core idea, write
Speaker 1: it down, call on a deity, and let the unseen
Speaker 1: world handle it. In Greece, similar practices existed, often invoking
Speaker 1: chthonic underworld gods like Hades or Persephony. In Roman contexts,
Speaker 1: you might see appeals to deities like Pluto or local
Speaker 1: gods associated with the specific site. It's a blending of
Speaker 1: traditions Roman structure mixed with local spirituality, creating a kind
Speaker 1: of ancient cross cultural revenge system. And then there's the content,
Speaker 1: because while some curses are about stolen items or business disputes,
Speaker 1: others go much deeper into the chaos of human emotion.
Speaker 1: Love curses, for example, are a whole category. These aren't
Speaker 1: sweet please make them like me wishes. These are intense,
Speaker 1: obsessive demands. Bind them to me, prevent them from loving
Speaker 1: anyone else, make them restless until they come to me,
Speaker 1: which is less romantic comedy and more ancient psychological thriller.
Speaker 1: There are also competition curses, especially in places like chariot
Speaker 1: racing arenas. Imagine being so invested in your favorite team
Speaker 1: that you can curse the opposing horses, not the drivers,
Speaker 1: the horses, asking the gods to make them stumble, fail,
Speaker 1: or just have a very bad day. And here's where
Speaker 1: it gets even stranger. Many of these tablets were intentionally folded,
Speaker 1: pierced with nails, or even rolled up tightly before being deposited.
Speaker 1: This wasn't random. It was symbolic. Binding The tablet meant
Speaker 1: binding the person piercing it could represent harm or control.
Speaker 1: Its ritualistic, deliberate, almost procedural, which suggests that this wasn't
Speaker 1: just emotional outbursts. It was a known practice with shared rules.
Speaker 1: Now let's zoom out for a moment and look at
Speaker 1: the bigger picture of Roman life, because this didn't exist
Speaker 1: in a vacuum. The Roman world was deeply religious, but
Speaker 1: not in the way we might think today. It wasn't
Speaker 1: about one central belief system. It was a complex web
Speaker 1: of God's rituals, superstitions, and local traditions. People believed the
Speaker 1: world was full of unseen forces, spirits, deities, energies that
Speaker 1: could influence daily life. So writing a cursed tablet wasn't
Speaker 1: irrational in that context. It was practical. You couldn't always
Speaker 1: control what happened around you, but you could try to
Speaker 1: influence it. You could appeal to powers beyond human systems,
Speaker 1: and sometimes that meant asking for things to go very
Speaker 1: poorly for someone else. Now here's the part that might
Speaker 1: make you glance over your shoulder just a little. Some
Speaker 1: of these tablets weren't just found in public places. They
Speaker 1: were buried with the dead, placed in graves, often near
Speaker 1: individuals who had died young or violently, because it was
Speaker 1: believed their spirits were more likely to carry out the curse,
Speaker 1: which means someone at some point thought, you know who
Speaker 1: would be great for delivering this message that recently deceased
Speaker 1: per That's a choice. And yet it was common enough
Speaker 1: that archaeologists now expect to find these tablets in certain
Speaker 1: types of burials. It's part of the landscape of ancient
Speaker 1: belief So what happened to all of this well? As
Speaker 1: the Roman Empire evolved and eventually transitioned into a more
Speaker 1: Christianized world, practices like cursed tablets were increasingly discouraged, labeled
Speaker 1: as superstition or even heresy, But they didn't disappear overnight.
Speaker 1: These beliefs lingered, adapted, and in some ways carried forward
Speaker 1: into later folk traditions. Because at the core of it,
Speaker 1: this isn't just about ancient magic. It's about something very human.
Speaker 1: The need for justice when systems fail, the desire for
Speaker 1: control in situations where you have none, the urge to
Speaker 1: respond when you've been wronged, whether that's through law, confrontation
Speaker 1: or a carefully worded piece of metal asking the universe
Speaker 1: to intervene. And maybe that's why these tablets feel so
Speaker 1: strangely familiar, because while we don't typically inscribe curses into
Speaker 1: lead anymore, we've all had moments where we wished for
Speaker 1: a little cosmic payback. And now, dear listener, a word
Speaker 1: from tonight's sponsor.
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Speaker 2: writing it down on metal was a bit too permanent,
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Speaker 2: Just whisper your complaint into our patented, probably not magical
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Speaker 1: So the next time something goes missing, or someone cuts
Speaker 1: you off in traffic, or your neighbor decides two am
Speaker 1: is the perfect time to start a drum solo, remember this.
Speaker 1: There was a time when people didn't just get mad.
Speaker 1: They wrote it, town, they buried it, and they trusted
Speaker 1: something unseen to take care of the rest until next time,
Speaker 1: Stay curious
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